The exhibition Silences offers a journey through suspended spaces, where the visible partially withdraws in favor of heightened attention to what comes to the surface: traces, rhythms, breaths—where the image becomes scarce in order to allow more delicate sensory states to emerge. Silences considers silence not as a lack, but as an active presence. The exhibition questions the artwork’s capacity to contain what is not immediately given. Silence appears here as a space of projection, a place of discreet intensity where the very conditions of aesthetic experience are replayed.

Through the repetition of the dot, Océane Best develops a practice close to the logic of Minimalism. Drawing becomes a slow construction in which time, the body, and matter intertwine, giving rise to a fragile form between chance and structure.

Coming from photojournalism, Sophie Libermann develops a more intimate photography, centered on relationship and listening. Her images capture suspended moments in which silence becomes emotion and presence.

At the crossroads of architecture and drawing, Alan Levitt follows in the legacy of the traveling artists of the Renaissance. His work captures reality by suspending time, through a contemplative approach to looking.

Cristian Mitrani develops a layered photography, marked by superimposition, in order to reach a poetic dimension. His images question the boundaries between reality and memory, in a tension between the ephemeral and the permanent.

Through painting, photography, and writing, Capucine Bontemps explores states of Spleen in an introspective vein inherited from Charles Baudelaire. Her work transforms emotions into sensory matter, between vulnerability and transcendence.

Beatriz B. Serdna creates pieces born from travel, from each place passed through and from attentive observation; a sensory immersion into horizons that seem dreamlike.

Between art, body, and fiction, Nicolas Quevedo combines performance and imagination. Through hybrid and symbolic figures, he explores shifting identities within dreamlike and ritualistic worlds.

The exhibition thus offers an experience of deceleration, an invitation to fully inhabit the moment and to become receptive to more subtle forms of perception. Silence is never absence here, but a condition of appearance: a fertile medium in which relationships between body, memory, and imagination are woven.